Since my career as an English speaking journalist isn’t exactly popping, I’ve had to fall back on my Spanish speaking one, in which I have more clout and somewhat of a trajectory. Things are progessing slowly, but we are moving forward.
A whole lotta
love links and stories after the jump: Continue reading
Me llamo Roberto y vengo a predecir el futuro…
Few bands scare me as much as this kids. I’ve never been so sure an act is going to blow up, much less one whose music I don’t even like that much. Continue reading
Unfocused MC/ DC poster out and about in the streets of Caracas.
Saving Venezuela from the curse of Greyface, one poster at a time.
So yeah, I didn’t follow through with the whole getting-this-blog-into-shape thing. The world has been incredibly distracting, but I have another excuse: I’ve been writing in Spanish. I stopped publishing around when I started with “La Tormenta” a million years ago, and now that the alchemical process is about to give results, I’m getting a head start in reclaiming my old journalistic career back.
It’s been harder than previously anticipated, but I got a semi regular column in Venezuela’s premiere electronic music site Dj Profile, in which I have written about Massive Attack and Justice so far:
1.- http://www.djprofile.tv/mentes-trabajando-independientemente-regreso-massive-attack/ (–> English version)
And I wrote about my favorite female emcees for Spain’s sexiest literary site, Culturetas:
Last but not least, I keep my music tumblelog at the edge of everything with constant updates:
That’s my story and I’m sticking with it.
The third mixtape by the half emcee/ half singer from Chicago is half gospel hip hop/ half club music. On my first spin I thought at last, through Chance, I was going to be able to appreciate this new wave of mumble rap the children seem to be crazy about. It features Future, Young Thug and that idiotic kid Lil Yachty and none of those songs make me want to rip my ears off. I even liked “Smoke Break“at first. On repeated listens though, I tend to skip them and the Justin Beaver one. That sound just doesn’t appeal to me even with Chance and his production team in the mix.
As for the gospel, I propose it’s the reason this album didn’t really blew up worldwide. It was critically lauded across the board, the Grammy academy changed its rules just to be able nominate it, Chano appeared in every screen and became a household name, but the music per se got to a point and then stalled. You can talk about God all you want, just ask Kendrick, but.unlike jazz and funk, gospel is completely specific. It has all those catholic connotations and people from other walks of life don’t want to hear that shit. Also, personally, gospel doesn’t speak to me. I have no memories associated to it like most gringos. Anyway, “Coloring Book” didn’t really explode like it was supposed to.
As for Chance, his singing sounds better than ever in this mixtape, the very musical pieces bring out the best in his voice. His rapping though, It’s not on “Acid Rap” level. He’s got some slick lines here and there, but the melodies and not the lyrics were his main focus and the hip hop part suffered. The exception is “How Great”. On that note, let’s talk about Jay Electronica’s verse: Incredible. It’s not even that good by his standards and it’s still one of the bests of 2016.
In conclusion: Overall it’s a good project, parts of it are great, but Chance, do yourself a favor and drop acid before starting on your next one.
BONUS, the clips: