An unusual interpretation of Boots Riley’s “Sorry to Bother You”:

LaKeith Stanfield as Cassius Green, "Sorry to Bother You"

It’s hard for me to talk about Boots Riley. On one hand, I’ve been supporting and promoting his band The Coup for decades and was one of the first persons to predictSorry to Bother You” was going to be a one-of-a-kind movie. On the other, he’d recently been talking reckless about Venezuela and ignored every message polite and serious people sent him challenging his ridiculous views. And then, he deleted his Twitter account like a coward.

But that’s neither here nor there.

The point is I noticed something no one has talked about in “Sorry to Bother You”, the real message, a hidden layer of meaning.

So, SPOILER ALERT: Don’t advance if you haven’t watched “Sorry to Bother You”, mayor SPOILERS ahead.

The correct interpretation of that great movie, after the jump:

Continue reading

Venezuelan Art Report 003: La Muy Bestia Pop, Los Amigos Invisibles, La Corte, La Leche y Dermis Tatú

DERMIS

November, 2018 – We’re staying on the music business. There’s no other way around this, it’s the main area I can deliver the goods with confidence and knowledge. I have a plan already in motion to expand this report into all the arts, but until it gains momentum you all are stuck with music and more music.

On this edition we’re entering the wayback machine and exploring classic albums that might not be so classic to the international audience these Art Reports are cultivating. Amazingly we’re staying in Venezuela, when these albums came out the population of the country wasn’t spread all over the world.  Sadly, we’re staying in Caracas. Because I’m biased. And at that point in time not that many albums from outside the capital saw the light of day.

So, let’s do this: Continue reading

LISTEN: Foster & The Pranksters – “La Honda” and “THE ACID TEST” EPs

I first heard about Foster through “Plant the Rapper”, his now-deleted Chance the Rapper diss. I’d just released my reasonings about the superstar’s suspicious rise to fame and his lyrics had ten times more information than my video. Also, they had slick lines and were funny.

His band’s name is a reference to Ken Kesey’s Merry Pranksters, characters that are bound to appear frequently on this blog, and they’ve just released two back to back EPs that will not get the attention they deserve because they reveal too much. Foster might be a firecracker on Twitter, but he knows what’s up. They combine rock and hip hop in a brand new way; Danny Brown once rightly said that this particular mix of genres died because of Fred Durst, but Foster & the Pranksters don’t sound anything like the ill fated rap metal.

It’s to be noted that “La Honda” features Royce Da 5’9″ on the final track, one of the coldest MCs out there when he’s not defending Eminem.

The formal info about the release says: 
Continue reading